POSTALCREATIVITY
MAILARTCLUB

TOE TAG 2000 PROJECT

The Cafe had been quiet and I figured that an art call would get us jumpstarted. I'd participated in Christine Hauser's Toe Tag Project in June of 1999, and it was great fun. (That Swap even got featured in the Vol. 8 issue of Teesha Moore's THE STUDIO magazine!!)

I want to thank everyone who contributed to this project. Your art is--as always--inspiring. Also thanks for letting me post your works here. This is the first time I've done this much work with scanning and every project I do is a learning experience. This Gallery was no exception. I must tell you that these pictures don't do the originals justice, but
I felt that I should optimise them as much as I could for quick downloading so those who are on slow connections aren't left hanging to see them. By the way, a few of these artists have websites so please check 'em out!!!

See you in the Cafe!
Love Ya...
Gwen aka The Diva of The Desert

Octopussy
OctoPussy8
Rhonda
Rhonda
Anna
AnnaEly
Robi Back
RobiW
Robi Front
RobiW
Diva
Your Diva ; )
Linn
Linn
Lynn
FencePoste
Shelley
BearPoste
Shirley
MaGoose

Rubber Rabbitt
RabbitLynn

Rose Petal
RPetal
Lah Dee Dah
LahDeeDah

Excerpt from
"A Bit of PCMAC History"
by Franklin Stein, Poet, Philosopher and Founder

It was late April 1996 when the [AOL] International Mail Art board went silent. Throughout March, there had been debate, argument, acrimony, plain and fancy fights and finally disgust and silence. I assumed at the time, that this would lead to the IMA solely being a place for listing mail art calls without discussion. I thought cross-conferencing was gone for good. I was wrong.

I started my note on the IMA this way: "Hoo, Hah!! We made it in to 1996 and we're still talking about mail art. This has to mean something." The note continued by talking about the fings in the 1980s over every aspect of mail art, with discussion of some of the things mail artists had done. Closing my note with an invitation to come to the cafe in the spirit of art and artists throughout time and discuss mail art and art, but lighten up. I thought that would be the last I would hear about mail art and discussion. I was wrong.

The note seemed to have struck a chord. People started to write on the IMA board that they were happy to join with anyone who would talk about art in a non-flaming way. Before long we had a group of artists, both new to mail art and old pros, who joined together in what was to become the PCMAC network. This network was devoted to discussion and sharing of mail art.

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